the music of what happens
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writer - artist - educator // albuquerque - boston // peruana - cubana

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luthienne:

My heart is pierced by Cupid
I disdain all glittering gold
There is nothing can console me
But my jolly sailor bold

“So she righted herself after the shock of the event, and quite unconsciously and incongruously, used the branches of the elm trees outside to help her to stabilise her position. Her world was changing; they were still. The event had given her a sense of movement. All must be in order. She must get that right and that right, she thought, insensibly approving of the dignity of the trees’ stillness, and now again of the superb upward rise (like the beak of a ship up a wave) of the elm branches as the wind raised them. For it was windy (she stood a moment to look out). It was windy, so that the leaves now and then brushed open a star, and the stars themselves seemed to be shaking and darting light and trying to flash out between the edges of the leaves. Yes, that was done then, accomplished; and as with all things done, become solemn.” —Virginia Woolf, from To the Lighthouse
(via luthienne)
“…yet all such comfort is cold. Memory is not what the heart desires.” —J.R.R. Tolkien, from The Fellowship of the Ring
(via luthienne)
albuquerque | 2012

albuquerque | 2012

“I hear your blood ring
but I am tired
of friends who hurt
and lean
at the same time”
—Audre Lorde, “Journeystones I - IX”
oldfilmsflicker:
““One Art” by Elizabeth Bishop for National Poetry Month
”

oldfilmsflicker:

“One Art” by Elizabeth Bishop for National Poetry Month

(Source: oldfilmsflicker)

“And that’s when I know it’s over. As soon as you start thinking about the beginning, it’s the end.”

Junot Díaz,This Is How You Lose Her (via bookmania)

(Source: bookmania, via bookmania)

“When your rage is choking you, it is best to say nothing.” —Octavia Butler (via soulbrotherv2)

Consider the hands
that write this letter.

Left palm pressed flat against paper,
as we have done before, over my heart,

in peace or reverence to the sea,
some beautiful thing

I saw once, felt once: snow falling
like rice flung from the giants’ wedding,

or strangest of strange birds. & consider, then,
the right hand, & how it is a fist,

within which a sharpened utensil,
similar to the way I’ve held a spade,

the horse’s reins, loping, the very fists
I’ve seen from roads through Limay & Estelí.

For years, I have come to sit this way:
one hand open, one hand closed,

like a farmer who puts down seeds & gathers up;
food will come from that farming.

Or, yes, it is like the way I’ve danced
with my left hand opened around a shoulder,

my right hand closed inside
of another hand. & how I pray,

I pray for this to be my way: sweet
work alluded to in the body’s position to its paper:

left hand, right hand
like an open eye, an eye closed:

one hand flat against the trapdoor,
the other hand knocking, knocking.

—Aracelis Girmay, Consider the Hands that Write this Letter (via shesmydulcinea)

(Source: bird-on-the-wire)

“A veces también se me acaban las sonrisas para ti, a veces también se me acaban las ganas de escribirte. Pero te quiero, ojalá lo entiendas, siempre te quiero, pero a veces mis abrazos no tienen calor y mi boca no sabe que decir… Pero te quiero, siempre te quiero, cuando no te convengo, cuando no me soportas, cuando te odio, te quiero.” —Alejandra Pizarnik (via young-and-pathetic)
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